BRIER. — Art, design and vintage

BRIER Cavalier and black BRIER wordmark

BRIER COLLINS
ARTIST + DESIGNER

An affection for the unusual.

BRIER is the art and design practice of Brier Collins. Tactile, layered work shaped by memory, resilience, and the possibilities of reinvention.

THE STORY BEHIND BRIER ↗︎
01 / MEMORY

What remains.

Old images and objects carry traces of other lives. I use those traces as material for a different story.

02 / IDENTITY

What we perform.

Masculinity, confidence, and tradition can reveal something more vulnerable through an unexpected detail.

03 / PERCEPTION

What changes.

A surface, a setting, a shift in scale. How something is presented becomes part of what it means.

A VISUAL INDEX OF THE PRACTICE

A few ways in.

Paintings, drawings, identities, and collected curiosities. Follow whatever catches your eye.
BRIER / 01A leaping black rabbit crosses red concentric target rings on cream paper

A familiar form / another context

01 / THE ART

The familiar, made unfamiliar.

Painting, mixed media, and objects drawn from Americana and the traces of other lives. Familiar images take on unexpected roles.

PAINTINGMIXED MEDIAOBJECTS
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BRIER / 02Original BRIER Cavalier carrying a paintbrush above the serif wordmark

The BRIER identity / ink on parchment

02 / IDENTITY

A point of view, made visible.

Marks, typography, and visual systems with a clear point of view. Considered proportions, lasting character, and a little irreverence.

BRAND SYSTEMSART DIRECTIONPACKAGING
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BRIER / 03Black silhouette of one man balancing on another man’s shoulders, an arm reaching upward

A balancing act

03 / DRAWN THINGS

Familiar forms. Strange company.

Drawings that borrow from the past and let something unexpected in. A peculiar detail. An unlikely pairing. A quiet joke.

ILLUSTRATIONLETTERINGEXPERIMENTS
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BRIER / 04Illustrated tire tracks winding into the distance

Follow a different path

04 / ON SCREEN

A setting changes the story.

Websites with the texture of the studio and the ease of a well-made tool. Spaces to explore, pause, and look closer.

WEB DESIGNCREATIVE DIRECTIONINTERACTION
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BRIER / 05Two engraved cherries surrounded by flames, above the word FLAMER

Flaming cherries / graphic on paper

05 / ON PAPER

An image becomes an object.

The weight of paper, the character of ink, the pleasure of holding an image. Prints and paper goods that make the surface part of the story.

ART PRINTSPAPER GOODSLIMITED RUNS
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BRIER / 06Red Teddi’s script logo impressed into textured paper, with Beauty Salon Est. 1972 below

Teddi’s / a mark with character

06 / GOOD COMPANY

Shared curiosity. Distinctive work.

Commissions and collaborations built on shared curiosity, good craft, and room for an unexpected turn.

COLLABORATIONCAMPAIGNSCOMMISSIONS
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07 / BRIER COLLINS / ARTIST STATEMENT

Between
worlds.

the familiar, the strange,
and the space in between.

My work is a collision of past and present, where nostalgia and reinvention coexist. I gather scraps of history—old denim, torn paper, forgotten trinkets, and remnants of a life well-lived—and piece them together, giving them new meaning. My art is tactile, layered, and deeply personal, often reflecting themes of resilience, memory, and transformation.

I’m drawn to objects that hold history, things that have been touched, used, and sometimes forgotten. There’s a certain poetry in giving discarded materials a second life, in finding beauty in what was left behind. My process is both instinctual and deliberate—I cut, layer, and assemble, creating compositions that feel like artifacts of a world that never quite existed but somehow feels familiar.

Influenced by pop art’s boldness and folk art’s resourcefulness, I weave together fragments that evoke memory and place. Some pieces lean into nostalgia, calling back to an era through texture and tone, while others push forward, stark and modern. The work is both an excavation and a reconstruction.

At its core, my art invites connection. It asks the viewer to slow down, to notice the details, to find themselves somewhere in the layers—to see their own history reflected in the pieces of mine.

— Brier Collins

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Beautiful without being entirely predictable.

A SECOND LOOK. AND PERHAPS A THIRD.